网球王子

网球王子

第01集

10.0|04042025430081616pm25|片长46分钟|第20集完结|共20集
简介:
日本新锐漫画家许斐刚的漫画《网球王子》讲述了网球天才少年越前龙马与队友们征战网球联赛的热血故事。漫画倍受欢迎,作者许斐刚也因此被读者拥戴为日本漫画界的新一代教父。此次电视剧版《网球王子》的情节将在充分尊重原著的前提下,结合中国国情进行改动。除了将保留原动画和电影中富有视觉冲击力的网球竞技场面,还在人物关系的发展上充实进许多新的情节。该剧讲述了青春学院网球部的网球选手们为了参加全国大学生联赛刻苦训练、共同进步的经历。新的一年开始了,青春学院的网球部转来了一个一年级新生--龙马。龙马的父亲曾在国际上赢得过冠军,却因不明原因退出网坛。龙马从小在父亲近乎捉弄的态度下学习网球,对他来说网球并不是爱好,而是超越父亲的目标。在学院组织的比赛中,龙马以不俗的实力引起了学院网球部教练的注意,并被破例选为正式队员。就这样,在和队友、对手的比赛和交流中龙马渐渐看清了一个更有意义的目标--全国大赛,并开始渐渐摆脱父亲的阴影,在追求梦想的冠军的过程中展开属于自己的网球生涯。
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8.0
上映时间:06062025630050303am25
主演:大卫·休里斯,伊莲娜·雅各布,迈克尔·因佩里奥利,索菲·奥斯特
简介:  what motivated me up to the new director's festival to catch 'martin frost' tonight was the brutal review that it got yesterday from the lead critic of the new york times, brutal dismissal, to be more accurate, 'the less said about (it) the better', she said, and i figured that any movie able to teach Ms Dargis the virtue of silence for even a few column inches would be worth the trip.  and worth the trip it was. we are brought into a paradise of limpidly beautiful visual textures. the oaken rhythms of a country house ensconced in a springtime parkland of luxuriant trees and luminous skies bestow the soothing natural blessing needed by the main character, martin frost (David Thewlis), a writer rubbed raw by the mechanics of finishing a novel in new york city. (Thewlis makes palpable the casualty of intrapsychic machinery sawed into daemonic reverb against the banausic hive). then paradise morphs into purgatory, leavened comedically, in Dante's sense, by the postmodern angelic visitations of Claire (Irene Jacobs) and Anna (Sophie Auster).  unfortunately, to my taste, the verbal dimensions of the film are flaccid, the logic more fanciful than imaginative, the narrative arc crippled by some irredeemably creaky plotting, especially at the crucial initiation of the relationship between martin and Claire where the seeds of common sense are thrown to the magpies of theatricality.  but so beguiling is the willful vulnerability of auster's fantasy, and the edgy interplay that it potentiates between Thewlis and Jacobs, and the camera, and later Sophie Auster, and the broad comedy of a rural everyman (Michael Imperioli), that it is very pleasant to be carried along on the visual foam of uncertain sensual delight, eddying into a feeling that this film's oddly louche light touch is uniquely adept at tracing some grave lineaments of the human heart.  go innocently.
534
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马丁·弗罗斯特的内心生活
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