825
6.0

求职公寓

导演:
沈星浩
主演:
林琳奇,刘禹,苗韵桐
别名:
未知
6.0
825人评分
汉语普通话
语言
未知
上映时间
未知
片长
简介:
上海罗源路110弄,早蜘蛛求租公寓里住了四个准毕业生一个新上班族,他们拥有不同的家庭背景怀揣各自的梦想。曾经是中考状元的男生周凡,大学学的是水文专业却莫名其妙地反感水利行业,踌躇满志地扬言非联想宝洁不予考虑,在一连串的碰壁之后,偏激地去联想尝试了传说中的“霸王面”,最后终于开始客观地反思自己的定位。珍珠是外表鲜亮的新上班族,宣称“追求嫁个又好又有钱的”是现在女性的高级修养,并以身作则地不断和爸爸级大老板们出入酒吧,看似肤浅地将她的男伴统称为皮特,却不知她心中苦苦压着持续了十年多的父女情痛。杨远和婕宁是整天甜甜蜜蜜的同学恋人,但在找工作问题上出现了矛盾,中产家庭背景的婕宁有父母帮助,是骑着马找马的心态,而农村长大的杨远则是必须在两三个月后自己能养活自己,给父母一个交代,爱情在就业压力现实面前遭遇考验。吴小新,地道的山村孩子,初到上海觉得上海亲戚薄情寡义...
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马丁·弗罗斯特的内心生活
8.0
上映时间:06062025630050303am25
主演:大卫·休里斯,伊莲娜·雅各布,迈克尔·因佩里奥利,索菲·奥斯特
简介:  what motivated me up to the new director's festival to catch 'martin frost' tonight was the brutal review that it got yesterday from the lead critic of the new york times, brutal dismissal, to be more accurate, 'the less said about (it) the better', she said, and i figured that any movie able to teach Ms Dargis the virtue of silence for even a few column inches would be worth the trip.  and worth the trip it was. we are brought into a paradise of limpidly beautiful visual textures. the oaken rhythms of a country house ensconced in a springtime parkland of luxuriant trees and luminous skies bestow the soothing natural blessing needed by the main character, martin frost (David Thewlis), a writer rubbed raw by the mechanics of finishing a novel in new york city. (Thewlis makes palpable the casualty of intrapsychic machinery sawed into daemonic reverb against the banausic hive). then paradise morphs into purgatory, leavened comedically, in Dante's sense, by the postmodern angelic visitations of Claire (Irene Jacobs) and Anna (Sophie Auster).  unfortunately, to my taste, the verbal dimensions of the film are flaccid, the logic more fanciful than imaginative, the narrative arc crippled by some irredeemably creaky plotting, especially at the crucial initiation of the relationship between martin and Claire where the seeds of common sense are thrown to the magpies of theatricality.  but so beguiling is the willful vulnerability of auster's fantasy, and the edgy interplay that it potentiates between Thewlis and Jacobs, and the camera, and later Sophie Auster, and the broad comedy of a rural everyman (Michael Imperioli), that it is very pleasant to be carried along on the visual foam of uncertain sensual delight, eddying into a feeling that this film's oddly louche light touch is uniquely adept at tracing some grave lineaments of the human heart.  go innocently.
534
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马丁·弗罗斯特的内心生活