43
9.0

天生一对 2022

导演:
Adisorn,Tresirikasem
主演:
塔纳瓦特·瓦塔纳普迪,蓝妮·卡彭,帕瑞斯·因塔拉科玛亚苏特,Suwatjanee,Chaimusik,帕薇努特·庞纳康,查侬·散顶腾古
别名:
未知
9.0
43人评分
泰语
语言
2022-07-28
上映时间
166分钟
片长
简介:
Dej 和 Karaket 相依为命,在阿瑜陀耶王朝(公元 1351-1767 年)期间相依为命,最终在死后分离。如今,他们重生于拉达那哥欣王朝早期(公元 1782-1855 年)。然而,他们之中,唯有一位依然相信“命运”。Bhop 是一位总工程师,拥有全暹罗最甜美的笑容。多年来,他一直梦见同一位女子。他坚信,她就是他命中注定的灵魂伴侣。当 Bhop 遇到与梦中女子一模一样的 Gaysorn 时,Bhop 便开始追随她,试图赢得她的芳心。然而,Gaysorn 思想进步,不相信命运。Gaysorn 明确表示她不喜欢 Bhop,但她对 Mathus 很感兴趣。Mathus 是一位泰西混血男子,说话时会说一些奇怪的俚语,而他的语气恰好与 Karaket 夫人的旧日记中的信息相符。Mathus 是否也像 Karaket 夫人一样,从未来穿越而来?!他们之间的关系尚未明朗,然而,当Bhop、Gaysorn和Mathus卷入一场混乱的历史事件时,事态变得失控,并可能引发一场永远改变历史的战争。命运将把他们引向何方?
猜你喜欢
换一换
534
8.0
正片
马丁·弗罗斯特的内心生活
8.0
上映时间:06062025630050303am25
主演:大卫·休里斯,伊莲娜·雅各布,迈克尔·因佩里奥利,索菲·奥斯特
简介:  what motivated me up to the new director's festival to catch 'martin frost' tonight was the brutal review that it got yesterday from the lead critic of the new york times, brutal dismissal, to be more accurate, 'the less said about (it) the better', she said, and i figured that any movie able to teach Ms Dargis the virtue of silence for even a few column inches would be worth the trip.  and worth the trip it was. we are brought into a paradise of limpidly beautiful visual textures. the oaken rhythms of a country house ensconced in a springtime parkland of luxuriant trees and luminous skies bestow the soothing natural blessing needed by the main character, martin frost (David Thewlis), a writer rubbed raw by the mechanics of finishing a novel in new york city. (Thewlis makes palpable the casualty of intrapsychic machinery sawed into daemonic reverb against the banausic hive). then paradise morphs into purgatory, leavened comedically, in Dante's sense, by the postmodern angelic visitations of Claire (Irene Jacobs) and Anna (Sophie Auster).  unfortunately, to my taste, the verbal dimensions of the film are flaccid, the logic more fanciful than imaginative, the narrative arc crippled by some irredeemably creaky plotting, especially at the crucial initiation of the relationship between martin and Claire where the seeds of common sense are thrown to the magpies of theatricality.  but so beguiling is the willful vulnerability of auster's fantasy, and the edgy interplay that it potentiates between Thewlis and Jacobs, and the camera, and later Sophie Auster, and the broad comedy of a rural everyman (Michael Imperioli), that it is very pleasant to be carried along on the visual foam of uncertain sensual delight, eddying into a feeling that this film's oddly louche light touch is uniquely adept at tracing some grave lineaments of the human heart.  go innocently.
534
正片
马丁·弗罗斯特的内心生活