988
2.0

被告

导演:
妮可·加西亚
主演:
丹尼尔·奥特伊,热拉尔丁娜·帕亚,艾曼纽·德芙
别名:
未知
2.0
988人评分
法语
语言
2002-06-22
上映时间
129 分钟
片长
简介:
1993年1月9日,让-克劳德·莱蒙杀死了他的妻子,孩子和父母。然后他试图自杀,但未成功。18年来他一直声称是名医生,但调查表明他根本就不是医生。他多年来所做的一切就是费尽心思编织、掩盖谎言。当他的秘密就要被揭穿时,他绝望地试图消灭所有那些他无法面对的人。1993年1月9日之前,所有认识让-克劳德·哈蒙的人,都说他是一个高超的医生,一个好人:他为世界健康组织工作,常常到处出差;他在医学界有很多朋友;一旦有空,他总乐于参与社区事务。没有人意识到哈蒙从未在医学院毕业,包括他医学院的同学。整整十八年间,哈蒙用一个谎言欺骗了所有人。当这个谎言终于被揭穿的时候,哈蒙感到自己无法面对亲人的目光,就在1993年1月9日先杀死自己的妻子和两个孩子,然后杀死自己的父母,放火烧屋,最后试图自杀。尼科尔·加西亚用了一个《公民凯恩》式的结构拍摄本片。先拍摄惨案,然后从男主角的医学院同窗、情妇等人的角度分别追忆其人其事。本片在法国上映后,大受欢迎,是夏天最卖座的电影之一。
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上映时间:06062025630050303am25
主演:大卫·休里斯,伊莲娜·雅各布,迈克尔·因佩里奥利,索菲·奥斯特
简介:  what motivated me up to the new director's festival to catch 'martin frost' tonight was the brutal review that it got yesterday from the lead critic of the new york times, brutal dismissal, to be more accurate, 'the less said about (it) the better', she said, and i figured that any movie able to teach Ms Dargis the virtue of silence for even a few column inches would be worth the trip.  and worth the trip it was. we are brought into a paradise of limpidly beautiful visual textures. the oaken rhythms of a country house ensconced in a springtime parkland of luxuriant trees and luminous skies bestow the soothing natural blessing needed by the main character, martin frost (David Thewlis), a writer rubbed raw by the mechanics of finishing a novel in new york city. (Thewlis makes palpable the casualty of intrapsychic machinery sawed into daemonic reverb against the banausic hive). then paradise morphs into purgatory, leavened comedically, in Dante's sense, by the postmodern angelic visitations of Claire (Irene Jacobs) and Anna (Sophie Auster).  unfortunately, to my taste, the verbal dimensions of the film are flaccid, the logic more fanciful than imaginative, the narrative arc crippled by some irredeemably creaky plotting, especially at the crucial initiation of the relationship between martin and Claire where the seeds of common sense are thrown to the magpies of theatricality.  but so beguiling is the willful vulnerability of auster's fantasy, and the edgy interplay that it potentiates between Thewlis and Jacobs, and the camera, and later Sophie Auster, and the broad comedy of a rural everyman (Michael Imperioli), that it is very pleasant to be carried along on the visual foam of uncertain sensual delight, eddying into a feeling that this film's oddly louche light touch is uniquely adept at tracing some grave lineaments of the human heart.  go innocently.
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